Check out these art colleges images:
Langara College | Art-fully Yours Art Auction
Image by RickChung.com
Langara College's Artfully Yours art auction on December 1, 2011.
Langara College | Art-fully Yours Art Auction
Image by RickChung.com
Langara College's Artfully Yours art auction on December 1, 2011.
Check out these art colleges images:
Langara College | Art-fully Yours Art Auction
Image by RickChung.com
Langara College's Artfully Yours art auction on December 1, 2011.
Edinburgh College of Art
Image by kaysgeog
The Drawing Academy of Edinburgh, was founded in 1760 and later became Edinburgh College of Art, formally founded in 1906. The college of art became part of the University of Edinburgh on August 1st 2011.
Main building by J M. Dick Peddie and George Washington Brown, 1906-1909. It is in a Beaux-Arts style, of old red sandstone and was built on the site of the Municipal Cattle Market.
www.edinburgharchitecture.co.uk/edinburgh_college_of_art.htm
Edinburgh College of Art www.ed.ac.uk/schools-departments/edinburgh-college-art
Edinburgh College of Art
Image by kaysgeog
The Drawing Academy of Edinburgh, was founded in 1760 and later became Edinburgh College of Art, formally founded in 1906. The college of art became part of the University of Edinburgh on August 1st 2011.
Main building by J M. Dick Peddie and George Washington Brown, 1906-1909. It is in a Beaux-Arts style, of old red sandstone and was built on the site of the Municipal Cattle Market.
www.edinburgharchitecture.co.uk/edinburgh_college_of_art.htm
Edinburgh College of Art www.ed.ac.uk/schools-departments/edinburgh-college-art
Check out these art colleges images:
Paul Dourish at Design Dialogues, Art Center College of Design
Image by G A R N E T
Guest Curator: Garnet Hertz
This lecture series explores key concepts in computational media to empower individuals to imagine, collaborate, provoke, and prototype through computing.
As a result of its widespread adoption, digital media has transitioned from "new media" to a ubiquitous part of contemporary life. This shift from novelty to familiarity has considerable ramifications for academic institutions working in the fields of media arts and digital culture. Exploring the formal potentials of information and networked technologies is no longer of significant interest: information technologies need to be understood as an embedded part of culture and history. Digital cultural practices must also work to extend their parent disciplines, including the studio arts, media history and theory, design, computer science and engineering.
Each speaker in the "Computation After New Media" series will focus on one word— a single term they feel is a core part of their work within the framework of computation. These lectures will be aimed at exploring the underlying structures of computationalism, providing an important leverage into the philosophy, languages, and principles of digital media.
October 22: Paul Dourish
Paul Dourish is a Professor of Informatics in the Donald Bren School of Information and Computer Sciences at UC Irvine, with courtesy appointments in Computer Science and Anthropology. He teaches in the Informatics program and in the interdisciplinary graduate program in Arts Computation and Engineering. His primary research interests lie at the intersection of computer science and social science; he draws liberally on material from computer science, science and technology studies, cultural studies, humanities, and social sciences in order to understand information technology as a site of social and cultural production. In 2008, he was elected to the CHI Academy in recognition of his contributions to Human-Computer Interaction.
Dourish is the author of "Where the Action Is: The Foundations of Embodied Interaction" (MIT Press, 2001), which explores how phenomenological accounts of action can provide an alternative to traditional cognitive analysis for understanding the embodied experience of interactive and computational systems. Before coming to UCI, he was a Senior Member of Research Staff in the Computer Science Laboratory of Xerox PARC; he has also held research positions at Apple Computer and at Rank Xerox EuroPARC. He holds a Ph.D. in Computer Science from University College, London, and a B.Sc. (Hons) in Artificial Intelligence and Computer Science from the University of Edinburgh.
Check out these art colleges images:
Camberwell Art College
Image by Fin Fahey
Reprocessed version of my 'Tarquin Binary' pic on Wikimedia.
Entrance, Camberwell Art College
Image by Fin Fahey
Reprocessed version of my 'Tarquin Binary' pic on Wikimedia.
Art Center College of Design
Image by jamacdonald
A picture i took while i visited ACCD.
Some cool art colleges images:
craig ellwood, art center college of design, pasadena, california, 1970-1976.
Image by seier+seier
art center college of design, pasadena, california, 1970-1976.
architects: craig ellwood associates, craig ellwood (1921-1992) with james tyler (design), stephen woolley (project architect), and alfred caldwell (landscape design).
structural engineer: norman epstein
the miesian groundscraper as it crosses the ravine conveniently placed there by the landscape architect.
photo, june 1997
George Legrady at Art Center College of Design, Pasadena, California
Image by G A R N E T
Design Dialogues Fall 2010: Computation After New Media
Media Design Program, Art Center College of Design, Pasadena, California
Guest Curator: Garnet Hertz
This lecture series explores key concepts in computational media to empower individuals to imagine, collaborate, provoke, and prototype through computing.
As a result of its widespread adoption, digital media has transitioned from "new media" to a ubiquitous part of contemporary life. This shift from novelty to familiarity has considerable ramifications for academic institutions working in the fields of media arts and digital culture. Exploring the formal potentials of information and networked technologies is no longer of significant interest: information technologies need to be understood as an embedded part of culture and history. Digital cultural practices must also work to extend their parent disciplines, including the studio arts, media history and theory, design, computer science and engineering.
Each speaker in the "Computation After New Media" series will focus on one word— a single term they feel is a core part of their work within the framework of computation. These lectures will be aimed at exploring the underlying structures of computationalism, providing an important leverage into the philosophy, languages, and principles of digital media.
October 1: Sharon Daniel, UCSC
October 8: Eddo Stern, UCLA
October 22: Paul Dourish, UCI
October 29: George Legrady, UCSB
November 19: Casey Reas, UCLA,
December 3: Celia Pearce, Georgia Tech
Design Dialogues brings provocateurs from the worlds of design, art, academia, and technology into the MDP Studio. Each term, a guest curator is invited to build a series around a theme of their choosing.
Meetings: 12-2 pm. Talks: 3-6 pm in the Wind Tunnel Gallery. Open only to Media Design students, alumni, and faculty.
Casey Reas speaks at Design Dialogues in the Media Design Program at the Art Center College of Design. Friday November 19th 2010.
Image by G A R N E T
Design Dialogues Fall 2010: Computation After New Media
Media Design Program, Art Center College of Design, Pasadena, California
Guest Curator: Garnet Hertz
This lecture series explores key concepts in computational media to empower individuals to imagine, collaborate, provoke, and prototype through computing.
As a result of its widespread adoption, digital media has transitioned from "new media" to a ubiquitous part of contemporary life. This shift from novelty to familiarity has considerable ramifications for academic institutions working in the fields of media arts and digital culture. Exploring the formal potentials of information and networked technologies is no longer of significant interest: information technologies need to be understood as an embedded part of culture and history. Digital cultural practices must also work to extend their parent disciplines, including the studio arts, media history and theory, design, computer science and engineering.
Each speaker in the "Computation After New Media" series will focus on one word— a single term they feel is a core part of their work within the framework of computation. These lectures will be aimed at exploring the underlying structures of computationalism, providing an important leverage into the philosophy, languages, and principles of digital media.
October 1: Sharon Daniel, UCSC
October 8: Eddo Stern, UCLA
October 22: Paul Dourish, UCI
October 29: George Legrady, UCSB
November 19: Casey Reas, UCLA,
December 3: Celia Pearce, Georgia Tech
Design Dialogues brings provocateurs from the worlds of design, art, academia, and technology into the MDP Studio. Each term, a guest curator is invited to build a series around a theme of their choosing.
Meetings: 12-2 pm. Talks: 3-6 pm in the Wind Tunnel Gallery. Open only to Media Design students, alumni, and faculty.
A few nice art colleges images I found:
Sindh Arts College [1893].
Image by Zainub
Photograph of the D.J. Sind Arts College (now known as the D. J. Government Science College) of Karachi, taken by an unknown photographer, c.1800, from an album of 46 prints titled 'Karachi Views'. Designed by James Strachan and considered this architect's greatest achievement, the college was built between 1887 and 1893. Named after the Sindhi philanthropist Dayaram Jethmal, whose two family members contributed towards its cost, the building was constructed in the neoclassical, or Italian architectural style. A considerable amount of money was spent on the interior of the college; the floors comprised mosaic tiles imported from Belgium and the eight-foot wide main staircase was fitted with ornamental cast-iron work from McFarlane & Company of Glasgow. Karachi, once the capital of Pakistan, is now the capital of Sindh province and the major port and main commercial centre of the country. It was a strategically located small port at a protected natural harbour on the Arabian Sea north-west of the mouth of the Indus, and was developed and expanded by the British when they took over Sindh in the mid-19th century to serve the booming trade from the Punjab and the wheat and cotton regions of the sub-continent
Arts College
Image by Gerry Balding
View of the derelict Arts Collge on Nelson Road Central, Great Yarmouth.
